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WEDNESDAY KIM, Protect me from what I want (part of Dokkaebi project), 2025

WEDNESDAY KIM, Protect me from what I want (part of Dokkaebi project), 2025

Archival Pigment Print

11 x 17 in

Edition of 15 + AP 

Signed and numbered by the artist

Accompanied by a certificate from Always Art

 

In Korean folklore, Dokkaebi are mischievous beings born from the spiritual possession of discarded objects; old tools, household items, etc. Protect Me From What I Want is a digitally rendered 3-D environment from Wednesday Kim’s ongoing project Screeched Dreams, which reimagines this myth through the lens of digital culture, e-waste, and compulsive consumption. Kim creates a contemporary Dokkaebi born from her old 2G slide phone, a discarded device charged with personal history and data. The figure, with spiked hair, sunglasses, and an axe, stands amid tangled cables, glossy black stones, and glowing red light, a visual ecology of technological waste and memory. Across the image, hazy text spells the title, a plea suspended between desire and dread.

BIO: Wednesday Kim is an interdisciplinary artist and a co-founder of De:Formal Online.She is from Seoul, South Korea and is currently based out of California. Kim works with a mixture of analog and digital media including 3D animation, video, performance, installation, print, and sculpture with clusterfuck Aesthetic. Her work is informed by personal experiences and human psychology; she derives imagery from nightmares, intrusive thoughts, and childhood trauma. Furthermore, she portrays the absurdity of information-saturated contemporary life in a surrealist fashion through wordplay, Wikipedia, voyeurism, and witticism. 

Regular price €175,00 EUR
Regular price Sale price €175,00 EUR
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Paper

Archival print on Hahnemühle Photo Rag 308gsm

About the release

Edition of 15.

All editions are made to order and then signed for you by the artist after the sale ends. Therefore please allow delivery to take up to 4 after the end of the sale.

Shipping & Returns

Editions are produced and shipped from Los Angeles, CA.

We produce all prints after the release is over, so please allow delivery to take up to 4 weeks after the sale ends.

Each artwork will be produced and signed specifically for each client and therefore is not eligible for return.

Custom duties are the responsibility of the buyer.

Payment options

We accept payment via American Express, Diners Club, Mastercard, Maestro, Visa, Discover, Apple Pay, Google Pay, Union Pay, Paypal, Shop and Klarna. 

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SYSTEM SUPPORT: A RIP Space Fundraiser

Rip Space is an independent art and technology platform based in Los Angeles dedicated to supporting experimental, cross-disciplinary practices. Founded in 2023 by curator Vera Petukhova with hacker and futurist John Threat and run in collaboration with researcher and theorist Maisa Imamović, Rip Space operates as both a physical and digital node for artists working at the intersection of visual art, new media, sensory design, and critical technology.

Through exhibitions, live events, performances, and workshops, Rip Space creates a space for artists to prototype new forms of experience, emphasizing process, accessibility, and community-driven experimentation outside traditional institutional frameworks.

About the Campaign : SYSTEM SUPPORT marks the next phase of RIP Space’s evolution. The fundraiser and accompanying print collection are part of a campaign to sustain Rip Space’s programming into 2026, supporting artist projects, public programs, and operational costs that keep this independent platform alive in Los Angeles. All proceeds from the edition sales directly support Rip Space’s future programming and infrastructure.

The Print Collection: This limited-edition print collection features works by:  Casey Kauffmann, Maya Man, Wednesday Kim, Kira Xonorika, Erick Antonio Benitez, Sarah Rothberg, Nat Decker, Se Young Au and John Threat.

Each artist contributes a unique perspective on systems, identity, and affect in the digital age, from AI-generated imagery and video stills to speculative environments and sensory abstraction. Together, the prints form a collective portrait of Rip Space’s community: artists exploring how technology mediates feeling, perception, and connection.

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